So Nuriddin turns fragility into power on "Hurt Myself"

So Nuriddin unveils new single  “Hurt Myself,” and is gracefully spearheading it. The French singer-songwriter welcomes listeners into a deeply personal reckoning, one that feels less like performance art and more like a late-night confession, dressed in velvet harmonies.

Anchored in her signature urban-neo-spiritual sound, So connects Paris and New York City with spine-tingling vocals, fluid scatting, and luminous layers of harmony. “Hurt Myself” is confessional and unvarnished, turning familiar self-examination into something quietly radical. Rather than wielding overt political fire, she applies it inward, teaching us that self-examination can be revolutionary in its own right.

There’s legacy in her voice, being the daughter of Jalal Mansur Nuriddin, who came to be known as the grandfather of rap and is one of the founding members of the legendary group, the last poets, so she comes from a long line of rhythmic poetry and conscious artistry. But where her father’s generation sparked movements with fearless pronouncements, she directs that same consciousness to gentle self-inquiry.

“Hurt Myself” is a bridge between worlds, between past and present, the pain of self-harm and its healing, spoken-word ancestry and modern soul innovation. Her vocals ache and swell and soar, ushering the listener through a landscape of exposure that is both fragile and keenly self-aware.